New Technologies Reshaping the Performative Space: The site-specific set and the action props : (Re)Questioning the Relationship between Spectators and Actors

Abstract

Since the invention of film, emerging new technologies have been gradually taking over the stage and the performative space, reshaping the art of scenography. Performances nowadays are mostly participatory, and the spectators are directed via technological means, or, in interactive narratives, are the manipulators of the plot. Many site-specific performances become virtual and the spectators are presented with technological action props that act like catalysts for the performance. To support the arguments above, a series of examples will be presented in four categories of performances that use site-specific sets and technological action props. One axis is based on the technological means, and another on the space; real or virtual.

Visual directions are given on screen or via sound while the spectator is on the street of a city. For example, audio headsets provide the narration of the experience while the spectator becomes the performer. A virtual reality (VR) headset may even transport the spectator to another environment, for which the real set design may be a match, or no. A performance can now be a VR interactive experience: the spectator may even be at his/her place, anywhere with an internet connection, watching a tele-performance, having an experience not unlike a cinematic one.

There are many emerging new technologies that could be used for performance: the question is which to use and why. What more does this specific technology offer to the spectator? Does a performance become an experience just because it incorporates new technologies? How does technology influence the performative space and its scenography?

New perspectives, extra information, new experiences, accessibility to all no matter the space and time: these are some of the reasons why performances pair well with new technologies.